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the Trump administration’s frontal assault on the free press


When the billionaire owner of Amazon, Jeff Bezos, bought the Washington Post from the Graham family in 2013, he promised a “golden era to come”. In February 2017, one month into Donald Trump’s first term as US president, the paper adopted the motto: “Democracy Dies in Darkness”, reflecting the perceived threat posed by Trump’s authoritarian leanings and the suggestion that Moscow had interfered in the 2016 election.

That motto was turned against Bezos last week when it was announced that the Post was laying off one-third of its editorial staff, including its sports section and several of its foreign bureaus. The news was greeted with dismay in America’s journalistic circles. Marty Baron, a celebrated former executive editor of the Post, called the layoffs “among the darkest days in the history of one of the world’s greatest news organisations”.

But in the years since Bezos acquired the Post it has become a symbol of a global wave of democratic backsliding in the US which accelerated as the prospect of a second Trump presidency grew through 2024. After an initial period of investing in the Post and hiring more reporters, he has now overseen a long period of decline.

Political concerns began seriously to mount in 2024 when, in the run up to that year’s presidential election, the newspaper broke a 36-year precedent by refusing to endorse a candidate (which most readers, given the paper’s traditionally liberal leanings, had assumed would be Democrat Kamala Harris).

Since Trump has returned to the White House further evidence of this backsliding at the Post includes suppression of a cartoon critical of Trump’s relationship with US tech oligarchs by the Pulitzer Prize winning artist Ann Telnaes and a refocusing of the opinion pages to centre them on “personal liberties and free markets”. The changes have reportedly cost the Post many thousands of subscribers.

A cartoon showing American tech billionaires bowing before a statue of Donald Trump and offering bags of money.

The cartoon that led to Ann Telnaes quitting the Washington Post.
Facebook

But the malaise in US journalism is a much broader story than just the travails of the Washington Post. There’s a sustained campaign of cultural and structural violence against a profession that is under economic and political strain, yet essential to democracy.

Trump’s hostility toward certain sections of the press is not new. During his first term he used non-journalistic platforms to brand mainstream media outlets “the enemy of the people”. His hostility was directed at both institutional and personal level, launching attacks against individual journalists and their employers (the “failing New York Times”, his clash with CNN’s Jim Acosta, etc).

In his second term this hostility has intensified, its impact often obscured by the rapid pace of news emanating from the White House. We’re seeing press freedom in the US under attack on three distinct fronts: restricted access to information, threats to the safety of journalists and use of legal pressure to discourage dissenting voices.

Controlling the message

Restrictions began as soon as Trump was inaugurated for his second term in January 2025. Within a month, the Associated Press lost access to the Oval Office and Air Force One (in other words, to direct contact with the president) after refusing to adopt an executive order renaming the Gulf of Mexico the “Gulf of America”.

Accreditation rules soon tightened. In October, the newly minted secretary of war Pete Hegseth announced that henceforth journalists reporting from inside the Pentagon would be allowed to only report official government pronouncements. Many mainstream reporters handed back their Pentagon accreditation in protest. In response, Hegseth announced what he called the “next generation of the Pentagon press corps”, mainly comprising journalist from far-right outlets.

Meanwhile the president’s verbal attacks on journalists have escalated, particularly targeting women and especially women of colour. Incidents such as the “quiet Piggy” remark (directed at Bloomberg journalist Catherine Lucey) exemplify a broader pattern of public humiliation of female journalists. Research suggests that such conduct contributes to the normalisation of hostility toward female journalists, who were already disproportionately quitting journalism.

‘Quiet piggy’: Donald Trump targets a female reporter on Air Force One.

Journalists covering protests also face heightened risks. During the “no kings” demonstrations in October 2025, multiple incidents were reported in which police used force against accredited reporters. In November 2025 the White House escalated the pressure, launching a “Hall of Shame” site naming journalists and outlets it said had misrepresented the administration.

‘Lawfare’

The Trump administration has also brought considerable legal pressure to bear on the news media over the first year of its second term. The US president has filed multiple lawsuits alleging bias on the part of one or another media organisation that had attracted his disfavour.

In July, Paramount reached a US$16 million (£11.69 million) settlement over a 60 Minutes interview with Kamala Harris in 2024 that the president accused of bias. At stake was a US$8.4 billion merger that required approval from the Federal Communications Commission, a public body headed by Trump loyalist Brendan Carr.

The president also has active suits against the Wall Street Journal and the BBC (an episode which led to the resignation of director general, Tim Davie, and its head of news, Deborah Turness). By the middle of 2025, Axios reported that Trump-related media and defamation suits had already matched the annual historical record.




Read more:
Why has the BBC’s director general resigned and what could happen next?


Democratic backsliding

Taken together, these developments reflect a broader pattern of institutional stress affecting US democratic structures. The pressure on these established media organisations has created a situation in which they manage to survive with their independence eroded.

Comparative research consistently demonstrates that journalists are among the first actors targeted in such processes because of their frontline work. Control over information remains central to the success of an authoritarian government.

What, then, should journalists and media organisations do? Standing together matters. We saw that in 2018, when about 350 American newspapers jointly defended press independence against Trump’s “fake news” attacks. This prompted the US Senate to adopt a resolution supporting a free press and declaring that “the press is not the enemy of the people”.

But the danger is that this structural violence against the news media and its attempt to hold power to account becomes normalised. If the Trump administration’s contempt for the fourth estate continues to percolate through to the public at large, a population already struggling to tell truth from lies will be further blindfolded and darkness will fall over American democracy.



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